Diaphoto-Dye glaze colours for retouching photographs Very well suited for analogue photo prints Absorbs very well into the paper surface Quantity: 12 ml + pipette Diaphoto-Dye glaze colours consist of dyes dissolved in water in a relatively high concentration and can be diluted with water in an infinite number of shades. With our black shades Blue Black, Deep Black and Brown Black, all shades of black and white can be achieved by mixing and diluting with water. With the colour tones according to EURO again all imaginable colours, nuances and gradations. For covering we also supply a white colour. 12ml bottles with pipette.Photography has always experienced turbulent times and the same is true for retouching, which has always been closely linked to it. Already a few years after photography had gained a foothold with silver emulsion (60s of the 19th century), pictures were coloured by hand. This period also saw the introduction of protein glaze inks, known as "aniline ink" for short. This ink worked well on the common albumen papers (the so-called albumen pictures) and even very well on the later gelatine emulsion papers. Thus it came about that the oil and watercolour paints used for retouching were largely displaced by the aqueous dye solutions in the 1980s.

Dye glaze colours for retouching colour photographs According to traditional recipe Colours: deep black, brown black and blue black For mixing all shades of black and white For blotting out, retouching and colouring Quantity: 3 x 12 ml + pipette Diaphoto-Dye glaze colours consist of dyes dissolved in water in a relatively high concentration and can be diluted with water in an infinite number of shades. With our 3 basic black and white tones, deep black, brown black and blue black, you can mix every conceivable shade of black and white in a photo with a little practice. Photography has always experienced turbulent times and the same is true for retouching, which has always been closely linked to it. Already a few years after photography had gained a foothold with silver emulsion (60s of the 19th century), pictures were coloured by hand. This period also saw the introduction of protein glaze inks, known as "aniline ink" for short. This ink worked well on the common albumen papers (the so-called albumen pictures) and even very well on the later gelatine emulsion papers. Thus it came about that the oil and watercolour paints used for retouching were largely displaced by the aqueous dye solutions in the 1980s.

Dye glaze colours for retouching colour photographs According to traditional recipe Colours: red, yellow and blue according to EURO For mixing all other colours and shades For blotting out, retouching and colouring Quantity: 3 x 12 ml + pipetteDiaphoto-Dye glaze colours consist of dyes dissolved in water in a relatively high concentration and can be diluted with water in an infinite number of shades. With our 3 basic shades according to EURO, every conceivable shade of a photo can be mixed together with a little practice. They are very well suited for blotting or colouring. Photography has always experienced turbulent times and the same is true for retouching, which has always been closely linked to it. Already a few years after photography had gained a foothold with silver emulsion (60s of the 19th century), pictures were coloured by hand. This period also saw the introduction of protein glaze inks, known as "aniline ink" for short. This ink worked well on the common albumen papers (the so-called albumen pictures) and even very well on the later gelatine emulsion papers. Thus it came about that the oil and watercolour paints used for retouching were largely displaced by the aqueous dye solutions in the 1980s.